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Heroes Of The Alamo Lobby Card 1936 Julian Rivero Collage Color Added 2012 Throw Pillow featuring the photograph Heroes of the Alamo lobby card 1936 Julian Rivero collage color added 2012 by David Lee Guss

Boundary: Bleed area may not be visible.

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Heroes of the Alamo lobby card 1936 Julian Rivero collage color added 2012 Throw Pillow

David Lee Guss

by David Lee Guss

$24.00

Size

Pillow Insert

Image Size

 
 

Background Color

 
R(108) G(46) B(60)

Product Details

Our throw pillows are made from 100% spun polyester poplin fabric and add a stylish statement to any room. Pillows are available in sizes from 14" x 14" up to 26" x 26". Each pillow is printed on both sides (same image) and includes a concealed zipper and removable insert (if selected) for easy cleaning.

Design Details

Heroes of the Alamo (1936) is a low budget independent production, bought by Columbia soon after its release. ... more

Ships Within

2 - 3 business days

Additional Products

Heroes of the Alamo lobby card 1936 Julian Rivero collage color added 2012 Photograph by David Lee Guss

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Throw Pillow Tags

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Artist's Description

"Heroes of the Alamo" (1936) is a low budget independent production, bought by Columbia soon after its release.

Julian Rivero got one of his largest roles in a half century career in movies. The low budget, independently made production was bought by Columbia only months after its first release, which should make this original lobby card a collector's item.

Rivero is billed sixth.

Most of Julian Rivero's (1890-1976) roles in the silent era were uncredited, including his first, "The Bright Shawl" in 1923; also the first film of future gangster Edward G. Robinson (1893-1973) 

In 1927 he played a gangster henchman (still uncredited) in Josef von Sternberg's "Underworld.1957). 



In 1934 Rivero was uncredited (as a telegraph operator) in the Howard Hawks' directed "Viva Villa."



That same year he had his largest role as Tony the mechanic, with an Italian accent, in the Mascot serial "Burn 'Em Up Barns." 

And also in 1934 he...

About David Lee Guss

David Lee Guss

I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...

 

$24.00