Frame
Top Mat
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Dimensions
Image:
8.00" x 6.00"
Mat Border:
2.00"
Frame Width:
0.88"
Overall:
13.50" x 11.50"
Heroes of the Alamo lobby card 1936 Julian Rivero collage color added 2012 Framed Print
by David Lee Guss
Product Details
Heroes of the Alamo lobby card 1936 Julian Rivero collage color added 2012 framed print by David Lee Guss. Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
Design Details
Heroes of the Alamo (1936) is a low budget independent production, bought by Columbia soon after its release. ... more
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Artist's Description
"Heroes of the Alamo" (1936) is a low budget independent production, bought by Columbia soon after its release.
Julian Rivero got one of his largest roles in a half century career in movies. The low budget, independently made production was bought by Columbia only months after its first release, which should make this original lobby card a collector's item.
Rivero is billed sixth.
Most of Julian Rivero's (1890-1976) roles in the silent era were uncredited, including his first, "The Bright Shawl" in 1923; also the first film of future gangster Edward G. Robinson (1893-1973)
In 1927 he played a gangster henchman (still uncredited) in Josef von Sternberg's "Underworld.1957).
In 1934 Rivero was uncredited (as a telegraph operator) in the Howard Hawks' directed "Viva Villa."
That same year he had his largest role as Tony the mechanic, with an Italian accent, in the Mascot serial "Burn 'Em Up Barns."
And also in 1934 he...
About David Lee Guss
I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...
$73.00
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