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by David Lee Guss
$27.00
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Fred Astaire Silk Stockings publicity photo 1957-2014 iPhone case by David Lee Guss. Protect your iPhone with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your iPhone for instant protection and direct access to all of the phone's features!
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Fred Astaire, Silk Stockings publicity photo, 1957-2014.
Astaire introduced some of the most celebrated songs from the Great American... more
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Protect your with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your for instant protection and direct access to all of the phone's features!
Fred Astaire, "Silk Stockings" publicity photo, 1957-2014.
"Astaire introduced some of the most celebrated songs from the Great American Songbook, in particular, Cole Porter's: 'Night and Day' in The Gay Divorcee (1932), Irving Berlin's 'Isn't This a Lovely Day?', 'Cheek to Cheek' and 'Top Hat, White Tie and Tails' in Top Hat (1935), 'Let's Face the Music and Dance' in Follow the Fleet (1936) and 'Change Partners' in Carefree (1938).
He first presented Jerome Kern's 'The Way You Look Tonight' in Swing Time (1936); the Gershwins' 'They Can't Take That Away From Me' in Shall We Dance (1937), 'A Foggy Day" and 'Nice Work if You Can Get it' in A Damsel in Distress (1937); Johnny Mercer's 'One for My Baby' from The Sky's the Limit (1943) and 'Something's Gotta Give' from Daddy Long Legs (1955); and Harry Warren and Arthur Freed's 'This Heart of Mine' from Ziegfeld Follies (1946)."
I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...
$27.00
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