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Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Framed Print featuring the photograph Conrad Veidt with a victim number one The Cabinet of Dr. Caligari 1920 color added 2016 by David Lee Guss

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

6.50" x 8.00"

Mat Border:

2.00"

Frame Width:

0.88"

Overall:

12.00" x 13.50"

 

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Conrad Veidt with a victim number one The Cabinet of Dr. Caligari 1920 color added 2016 Framed Print

David Lee Guss

by David Lee Guss

$74.00

Product Details

Conrad Veidt with a victim number one The Cabinet of Dr. Caligari 1920 color added 2016 framed print by David Lee Guss.   Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

�The film presents themes on brutal and irrational authority; Dr. Caligari represents the German war government, and Cesare is symbolic of the... more

Ships Within

3 - 4 business days

Additional Products

Conrad Veidt with a victim number one The Cabinet of Dr. Caligari 1920 color added 2016 Photograph by David Lee Guss

Photograph

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Canvas Print

Canvas Print

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Framed Print

Framed Print

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Art Print

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Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Metal Print

Metal Print

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Greeting Card

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Throw Pillow

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Tote Bag

Tote Bag

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Zip Pouch

Zip Pouch

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Beach Towel

Beach Towel

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Portable Battery Charger

Portable Battery Charger

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Bath Towel

Bath Towel

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 T-Shirt

Apparel

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Coffee Mug

Coffee Mug

Conrad Veidt With A Victim Number One The Cabinet Of Dr. Caligari 1920 Color Added 2016 Spiral Notebook

Spiral Notebook

Framed Print Tags

framed prints

Photograph Tags

photographs

Comments (2)

Joyce Owens

Joyce Owens

Strong lines in this photo. Congrats on a sale!

Sunil Kapadia

Sunil Kapadia

Congratulations !

Artist's Description

�The film presents themes on brutal and irrational authority; Dr. Caligari represents the German war government, and Cesare is symbolic of the common man conditioned, like soldiers, to kill. In his influential book From Caligari to Hitler, Siegfried Kracauer says the film reflects a subconscious need in German society for a tyrant, and it is an example of Germany's obedience to authority and unwillingness to rebel against deranged authority. He says the film is a premonition of the rise of Adolf Hitler and the Nazi Party, and says the addition of the frame story turns an otherwise "revolutionary" film into a "conformist" one. Other themes of the film include the destabilized contrast between insanity and sanity, the subjective perception of reality, and the duality of human nature.�

About David Lee Guss

David Lee Guss

I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...

 

$74.00

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