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Film Homage Charlie Chaplin The Circus 1928 Clown Strong Circus Bisbee Arizona 1980 Weekender Tote Bag featuring the photograph Film Homage Charlie Chaplin The Circus 1928 Clown Strong Circus Bisbee Arizona 1980 #1 by David Lee Guss

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Film Homage Charlie Chaplin The Circus 1928 Clown Strong Circus Bisbee Arizona 1980 #1 Weekender Tote Bag

David Lee Guss

by David Lee Guss

$43.00

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Product Details

Our weekender tote bags are chic and perfect for a day out on the town, a staycation, or a weekend getaway.   The tote is crafted with soft, spun poly-poplin fabric and features double-stitched seams for added durability.   The 1" thick cotton handles are perfect for carrying the bag by hand or over your shoulder.   This is a must-have for the summer.

Design Details

This clown from the John A. Strong Circus, which had erected tents a short distance south of Bisbee, Arizona near the US/Mexico border, reminds me of... more

Care Instructions

Spot clean or dry clean only.

Ships Within

2 - 3 business days

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Film Homage Charlie Chaplin The Circus 1928 Clown Strong Circus Bisbee Arizona 1980 #1 Photograph by David Lee Guss

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Artist's Description

This clown from the John A. Strong Circus, which had erected tents a short distance south of Bisbee, Arizona near the US/Mexico border, reminds me of Charlie Chaplin's "The Circus" (1928) the great comedian's last silent film.

Like Ted, another prominent American artist who was taken by motion pictures, was Edward Hopper (1882-1967).
While the Lyric in Bisbee is a small town version of weaving dreams in the dark, Hopper's oil "New York Movie," 1939 features an usherette alone in her thoughts in a New York City movie palace with its enormous screen in the background.

Hopper's most celebrated oil is "Nighthawks" (1942) whose lighting is reminiscent of the look of film noir that was just emerging as a film style in The US.

DeGrazia's friend Broderick Crawford appeared in six noirs: "Black Angel" (1946), "Convicted" (1950), "The Mob" (1951), "Scandal Sheet" (1952), "Down Three Dark Streets" (1954), "Human Desire" (1954) and "The Big House" (1955). The gol...

About David Lee Guss

David Lee Guss

I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...

 

$43.00